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상 품 명 : MG32/14FX
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제품특징

MG24/14FX, MG32/14FX, MIXING CONSOLES
Serious Capacity For Sound Reinforcement & Installations

If your application is live sound reinforcement, you'll want all the channel capacity you can
get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds,
drum mics, and the rest can add up very quickly. With 24 and 32 input channels,
respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious
sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't
need racks of outboard gear to get the sound you need. There's also a comprehensive
range of group and auxiliary busses to make even complex mixes easy.

24 or 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to your
needs. All other features are the same. The MG24/14FX has 16 mono microphone/line
channels while the MG32/14FX has 24. Both offer four stereo line channels in addition to the
mono mic/line channels.

Low-noise, High-precision Mic Preamps With Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are of
exemplary quality. They offer low-noise, transparent amplification with the widest possible
range of dynamic and condenser microphones, which adds up to cleaner, better-sounding
mixes. All mic preamps feature switchable phantom power for phantom-powered studio
condenser microphones. Phantom power is switchable in 8-channel groups.

Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you
confirm critical console settings at a glance.

14 Buses In All For Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications usually demand a
number of additional mixes - usually in the form of group sub-mixes and aux sends for
external signal processing and monitor mixes. In both the MG24/14FX and MG32/14FX you
have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for
convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader
operation and two set up as effect sends), and two internal effect busses that feed the dual
high-performance built-in effect processors.

Insert I/O
All mono input channels feature insert I/O patch points so you can insert compressors, EQ,
or other extra signal-processing gear into the channel signal path as required.

3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with a sweepable midband provided on all input channels are
designed for exceptionally smooth, intuitive response that can help you to create cleaner,
tighter mixes. All mono microphone input channels also feature a switchable high-pass filter
that can be used to cut out unwanted low-frequency noise.

Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX you have not one, but two high-performance digital
signal processing stages, fed by separate effect buses, so you can enhance your mix with
two separate effects at the same time. And the effects are provided by the very latest
Yamaha DSP technology - you know you're getting the best. Each stage provides a
selection of 16 professional - quality SPX digital effects, including reverb, delay, pitch
change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can
be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay
makes it easy to produce tempo-synchronized delays.

Talkback Input
Communication capability is important for efficient setup as well as for keeping a show
running smoothly. The MG24/14FX and MG32/14FX both feature a talkback system that
allows the FOH engineer to communicate with the monitor engineer, performers, or other staff
to keep the team operating at optimum efficiency.

Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and mono
outputs.

Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The MG24/14FX
and MG32/14FX make this easier than ever with a built-in sweepable low-pass filter on the
mono outputs

제품스팩

MG32/14FX
Total Harmonic Distortion Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)

Frequency Response
0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)

Input Hum & Noise*1
-128dB
20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB

Crosstalk
-70dB @ 1kHz

CH Input
Mic
24+1 (Input A 1 - 24, Talk Back: XLR)

Line
24 (Input B 1 - 24: TRS)

Stereo
2 (Ch 25 - 26, 27 - 28:TRS) * Ch25, 27:L (MONO)
2 (Ch 29 - 30, 31 - 32: TRS/RCA)

Insert I/O
24 (Ch 1 - 24: TRS T: Out, R: In, S: Gnd)

AUX
Send
6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)

Return
2 Stereo Sub In (L/MONO, R: TRS)

EFFECT
Send
2 (1, 2: TRS)

2TR
In
1 Stereo (L, R: RCA)

STEREO
Insert
1 Stereo (L, R: TRS)

GROUP
Insert
4 (1 - 4: TRS)

REC
Out
1 Stereo (L, R: RCA)

ST
Out
1 Stereo (L, R: XLR)

MONO
Out
1 (XLR)

ST SUB
Out
1 Stereo (L, R: TRS)

GROUP
Out
4 (1 - 4: TRS)

Phones
1 (TRS Stereo)

Phantom Power
+ 48 V

CH & ST Ch Input Gain Control
44 dB valiable

CH & ST High Pass Filter
80 Hz 12 dB/Octave

CH EQ (MONO)*2
-15 dB (Max.)
High
10 kHz (Shelving)

Mid
0.25-5 kHz (Peaking)

Low
100 Hz (Shelving)

CH EQ (STEREO)*2
-15 dB (Max.)
High
10 kHz (Shelving)

Hi-Mid
3 kHz (Peaking)

Low-Mid
800 Hz (Peaking)

Low
100 Hz (Shelving)

MONO Out Low Pass Filter
80 - 120 Hz 12dB/octave

Internal Digital Effect
SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)

Dimensions
Width
41.73"

Depth
21.25"

Height
5.90"

Weight
52.91 lbs.

Power Requirements
UL/CSA: 75 W 120 V/60 Hz


*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz
filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
MG32/14FX INPUT CHARACTERISTICS
Connection PAD Gain Trim Actual Load Impedance For Use With Nominal Input Level *1
Connector In Mixer
Nominal Max. before Clip
CH INPUT [A, B] *7 0 -60 3 kΩ 50 - 600 Ω Mics
600 Ω Lines -60 dB (0.775 mV) -40 dB (7.75 mV) A: XLR-3-31 type *10
B: Phone Jack (TRS) *10
26 -34 dB (15.5 mV) -14 dB (155 mV)
0 -16 -16 dB (123 mV) +4 dB (1.23 V)
26 +10 dB (2.45 V) +30 dB (24.5 V)
ST CH INPUT *8 *9 -34 10 kΩ 600 Ω Lines -34 dB (15.5 mV) -14 dB (155 mV) Phone Jack *8
*9 *7
RCA Pin Jack *9
10 +10 dB (2.45 V) +30 dB (24.5 V)
CH INSERT IN *7 10 kΩ 600 Ω Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS) *5
GROUP INSERT IN (1 - 4) 10 kΩ 600 Ω Lines 0 dB (0.775 V) +20 dB (7.75 V)
SUB IN (1, 2) [L, R] 10 kΩ 600 Ω Lines +4 dB (1.23 V) +24 dB (12.3 V) Phone Jack *4
TB IN 10 kΩ 50 - 600 Ω Mics -50 dB (2.45 mV) -30 dB (24.5 mV) XLR-3-31 type *11
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG32/14FX OUTPUT CHARACTERISTICS
Connection Actual Source Impedance For Use With Nominal Output Level *1 Connector In
Mixer
Nominal Max. before Clip
ST OUT [L, R]
MONO OUT 150 Ω 600 Ω Lines +4 dB (1.23 V) +24 dB (12.3 V) XLR-3-32 type *2
GROUP OUT (1 - 4)
ST SUB OUT [L, R]
AUX OUT (1 - 6)
EFFECT OUT (1, 2) 150 Ω 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone Jack (TRS) *6
CH INSERT OUT *12
GROUP INSERT OUT (1 - 4)
ST INSERT OUT [L, R] 150 Ω 10 kΩ Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS)
*5
REC OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
PHONES OUT 100 Ω 40 Ω Phones 30 mW 75 mW Stereo Phone Jack