Acoustic Line
Alesis
Allen Heath
American Audio
Ashly
Behringer
Chang Young
Charis
Crest Audio
dbx
DPA
EV
Focusrite
Focal
Inkel
inter-M
KRK
LAB Gruppen
Mackie
Midas
Marantz
Neutrik
Rode
Sennheiser
Shure
Seco
SA(Stage Accompany)
T.C electronic
Trantec
Tannoy
Tascam
Teac
Tube Tech
Vic Boss
Yamaha
XTA
American Audio
LAB Gruppen
Behringer
Crest Audio
Acoustic Line
Behringer
EV
KRK
Focal
Stage Accompany
Tannoy
Allen Heath
Behringer
Mackie
Midas
Yamaha
Allen Heath
Behringer
Yamaha
Mackie
Vic Boss
Seco
Behringer
DPA
EV
Shure
Rode
Sennheiser
Sennheiser
Shure
Trantec
Charis
EV
Sennheiser
Shure
Behringer
Grado
philips
American Audio
TEAC
Inkel
Tascam
Inkel
TEAC
Alesis
Ashly
behringer
dbx
Focusrite
T.C electronic
Tube Tech
랙케이스
마이크케이스
알루미늄 랙케이스
철재 랙케이스
SKB
건반스탠드
마이크스탠드
스피커스탠드
보면대
자바라
스피커브라켓
창영스탠드
LCD Project
전동 Screen
엘리베이션
Behringer
Mackie
케이블
멀티케이블
▨ 현재위치 : HOME > 쇼핑몰상품보기 > 믹서 > mixing console
 
* 가격이 수시로 변경될 수 있습니다. 참고바랍니다.   가격흥정문의전화 : 02 - 766 - 8391

상 품 명 : O1V96
판 매 가 : 0원
가격전화문의
마일리지 : 0점
제 조 원 : Yamaha

상 품 소 개
제품특징

24-Bit/96kHz 01V!
Digital audio technology has come a long way since the early days of 16 bits at 44.1 kHz - a
format that many considered to be the reason for "harsh", "cold" sound. The entire industry
is now settling on 24-bit/96-kHz digital operation for significantly superior sonic quality. The
01V96 does give you a choice - you can work at 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz,
depending on the needs of each individual project. But when you want the truly transparent,
incredibly dynamic sound of 24-bits at 96 kHz, the 01V96 is ready to deliver. It even includes
a comprehensive range of superb 96-kHz compatible stereo effects with 32-bit internal
processing.

24 Analog & Digital Channel Inputs ... Expandable to 40
Right out of the box the 01V96 gives you 16 analog channel inputs - 12 with high-
performance microphone head amplifiers - and eight digital channel inputs via a built-in
ADAT optical interface. The first 12 analog channels will accept microphone signals or
balanced/unbalanced line-level signals, while the remaining four channels can be used
either as individual balanced/unbalanced line inputs or two stereo pairs. Without going any
further you're ready to handle a comprehensive mix of analog and digital inputs. When you
need more, Yamaha offers a range of Mini-YGDAI expansion cards that can simply be
plugged into the 01V96 expansion slot to provide additional I/O in a variety of formats: ADAT,
AES/EBU, TDIF or analog.

Built-in ADAT Optical Interface
The 01V96 comes with an industry-standard ADAT optical digital I/O interface built right in -
no options necessary. ADAT "Lightpipe" optical I/O is standard on a wide range of current
digital sound gear, so you can simply plug in via optical cables for 8 digital inputs and 8
digital outputs that will handle your digital signals without compromise. Additional optical I/O
capacity can be added via the 01V96 expansion slot, as necessary.

Integrated DAW Control
The 01V96 has been designed to integrate tightly with leading digital audio workstations to
create a complete production and mixing environment. Extensive support is provided for
Digidesign's Pro Tools® system as well as Steinberg's Nuendo® DAW - full control of
mixing and processing parameters, as well as transport/track-arming control and access to
editing functions - directly from the 01V96 control surface. There's also a "General DAW"
mode that provides compatibility with other workstations.

Surround Panning
Surround is becoming an important part of modern sound production. The 01V96 features 6.1,
5.1 and 3-1 surround panning modes so you can create surround mixes without having to
sacrifice features or performance in other areas.

Rear Panel
The rear panel is home to balanced analog stereo and monitor outputs as well as four
balanced "omni" outputs. The optical IN and OUT connectors for the 01V96's built-in ADAT
interface are also located on the rear panel. There are also digital 2-track inputs and outputs
featuring coaxial connectors. On-board sample rate conversion allows CD players and other
digital sources connected to the digital input to be monitored or routed to an input channel
without having to be synchronized to the system clock. A range of synchronization and
control options are available via word clock inputs and outputs, MIDI connectors, and a
USB "TO HOST" connector which can be used for computer control via the supplied Studio
Monitor software. The rear panel also has an expansion slot which will accept a wide
range of Yamaha mini-YGDAI expansion cards that can add up to 16 additional channels in
a variety of formats.

제품스팩

GENERAL SPECIFICATIONS

Internal Signal Processing
32-bit (Accumulator 58-bit)

Sampling Frequency
Internal 44.1 kHz,48 kHz,88.2 kHz,96 kHz
External Normal rate 44.1 kHz -10% - 48 kHz + 6%
Double rate 88.2 kHz -10% - 96 kHz + 6%

Signal Delay
1.6 ms CH INPUT to STEREO OUT
(@Sampling frequency = 48 kHz)
0.8 ms CH INPUT to STEREO OUT
(@Sampling frequency = 96 kHz)
Fader 100 mm motorized x 17
Total Harmonic
Distortion
Input Gain = Min.
CH INPUT to STEREO OUT
0.05% 20 Hz to 20 kHz @+14 dB into 600W
0.01% 1 kHz @+24 dB into 600
(@Sampling frequency = 48 kHz)

0.05% 20 Hz to 40 kHz @+14 dB into 600W
0.01% 1 kHz @+24 dB into 600
(@Sampling frequency = 96 kHz)
Frequency Response
CH INPUT to STEREO OUT
0.5, -1.5 dB 20 Hz - 20 kHz @ + 4 dB into 600W
(@Sampling frequency = 48 kHz)
0.5, -1.5 dB 20 Hz - 40 kHz @ + 4 dB into 600W
(@Sampling frequency = 96 kHz)
Dynamic Range
(maximum level to noise level)
110 dB typ. DA Converter (STEREO OUT)
105 dB typ. AD+DA (to STEREO OUT) @fs = 48 kHz
105 dB typ. AD+DA (to STEREO OUT) @fs = 96 kHz
Hum & Noise*

Rs = 150W
Input Gain = Max.
Input Pad = 0dB
Input Sensitivity = -60dB
--128 dB equivalent input noise
-86 dB residual output noise. STEREO OUT
STEREO OUT off
-86 dB (90 dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT fadersat minimum level
-64 dB (68 dB S/N) STEREO OUTSTEREO fader at nominal level and one CH INPUT faderat
nominal level
Maximum Voltage Gain
74 dB CH INPUT (CH1-12) to STEREO OUT/OMNI (BUS) OUT
40 dB CH INPUT (CH13-16) to STEREO OUT
74 dB CH INPUT (CH1-12) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1-16) to MONITOR OUT (via STEREO BUS)
Crosstalk (@1 kHz)
Input Gain = Min 80 dB adjacent input channels (CH1-2)
80 dB adjacent input channels (CH13-6)
80 dB input to output
Power Requirements U.S/Canada 120 V 90 W 60 Hz
Others 220-240 V 90 W 50/60 Hz


Dimensions 430 (W) x 540 (D) x 150 (H) mm
Net Weight 15kg
Operating free-air
temperature range 10-35oC
Storage temperature range -20-60oC
Accessories AC Cable, CD-ROM (Studio manager)
Option Digital interface card (MY16, MY8, MY4 series), RACK MOUNT KIT: RK-1